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see them, while continuing to hear their voices and feel their touch; or, on the contrary, she is astonished to no longer hear them, though she sees their lips moving, etc.; or, finally, she does not perceive them in any manner, and demands to know why they ar
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ird symptom, which does not manifest itself clearly in her, but the presence of which can be often established before all the others by investigation, is a complete allochiria,[6] ordinarily accompanied by various other sensory and motor disturbances
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If all these disturbing investigations have been successfully avoided, the spontaneous development of the automatisms is effected with greater rapidity and fulness
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the suggestions then given her to be carried out after awaking are registered and performed wonderfully—at least when Leopold, who is almost always on hand and answers by movements of one finger or another to questions put to him, does not make any opposition
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In default of more complete experiments, I submit the following comparison of Hélène’s muscular force and of her sensibility to pain before and after a seance lasting nearly three hours, the second half being in full somnambulism
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One hour later, after dinner: dynamometer 22, 22, 19—average, 21; algesiometer, 20, 18 for the right; 15, 20 for the left
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hinder it, on the other hand, by movement, or distraction of attention; but with the fixed and concrete content itself of her automatisms she has nothing to do and no share in the responsibility for it
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Alongside of and underneath the conscious expectancy, certain physical or mental attitudes, voluntarily assumed in view of the event, always effect an underlying preparation of an inward kind, a change which we may regard, according to the side from which we c
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Smith, when she knows some time in advance who will be present at her next seance, and what people she will almost surely meet there, it would be altogether natural that such previous knowledge of the environment and of the sitters would influence her sublimin
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Here is proof that Hélène’s subliminal imagination prepares up to a certain point her principal productions, in view of the conditions and surroundings under which the seance will probably take place, and also that these products, once elaborated, must be elim
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far over other spiritistic groups, and especially over all Hélène’s friends and acquaintances, in practice and in fact, however, it happens that neither he nor she will willingly admit the authenticity of those pretended communications from Leopold obtained in
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h Victor Hugo reigns alone; a phase of transition of about a year, when the protection of Victor Hugo is seen to be powerless to protect Hélène and her spiritistic group against the invasion of an intruder called Leopold, who claims and manifests an increasing
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hat of Hugo is, in effect, effaced and altogether eclipsed by the totally opposite character of the arrogant Leopold, who takes a peculiar pleasure in the rôle of vindictive and jealous mischief-maker, obstructing the appearance of the “spirits” desired by the
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ne found herself in an environment not exactly dangerous, but where she simply ran the risk, as in the N
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But, by these considerations, we have travelled very far from the original appearance of Leopold in the seance of the 26th of August, 1892, towards his actual, more ancient origin
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This explanation was given by Leopold on the 6th of October, 1895, in a seance in which Hélène experienced, in a somnambulistic state, a repetition of that scene of fright, with heart-rending cries, gestures of struggle and defence, attempts at flight, etc
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I instantly reply that these two results are, to my mind, entirely the effect of autosuggestion
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Not content with the public reunions of the N
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er the names of objectivity of types, personification, change of personality, etc.—that a hypnotized subject can be transformed by a word into such other living being as may be desired, according to the measure in which his suggestibility on the one hand and t
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He also showed himself to her in his laboratory, surrounded by utensils and instruments appropriate to the sorcerer and alchemist that he was; or, again, as the physician and possessor of secret elixirs, the knowledge of which is productive of consultations or
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After the handwriting, in its turn came speech, which also was attained by means of two stages
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It is well known how the calligraphy of a hypnotized subject varies according to the suggestion that he shall personate Napoleon, Harpagon, a little girl, or an old man; there is nothing surprising in the fact that the hypnoid secondary personality of Hélène,
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rais, etc., which appear above the first autograph of Leopold (see p
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At the very moment at which Leopold writes by her hand, speaks by her mouth, dictates to the table, upon observing her attentively I have always found her absorbed, preoccupied, as though absent; but she instantaneously recovers her presence of mind and the us
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Hélène has more than once told me of having had the impression of becoming or being momentarily Leopold
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The psychological process of this transmission is varied from another cause
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The next day she wrote me a seven-page letter in which she described a very striking dream she had had during the night
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Eight days later I paid another visit to Hélène, and after an effort to secure some handwriting, which was not successful, but resulted in a Martian vision (see Martian text No
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A final example will show us Leopold, in his rôle of watcher over the health of Mlle
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A neuralgic toothache is felt in a dream hours before it makes itself felt in our waking consciousness, while some maladies are often thus foreshadowed several days before they actually declare themselves
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narrow limits; fly, for example, towards the illimitable horizon which spiritism opens up to its happy followers, and as soon as this vague hope takes shape, nothing seems to prevent its immediate realization; and the only cause for wonder is found in the fact
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It will be interesting to follow step by step the phases of this elaboration: but since it always, unfortunately, hides itself in the obscurity of the subconsciousness, we are only cognizant of it by its occasional appearances, and all the rest of that subterr
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Lemaître had sent her with the idea of procuring some moments of distraction for the unhappy mother
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From the beginning, says the report of the seance, Mlle
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The initial series of cœnæsthetic hallucinations, corresponding to a voyage from the earth to Mars, reflects well the childish character of an imagination which scientific problems or the exigencies of logic trouble very little
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Lemaître to remember it for several months, was, during all of the time referred to, one of the most regular attendants upon the seances of Mlle
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One point which still remains to be cleared up in the seance, as I come to sum up, is the singularly artificial character and the slight connection between the Martian vision, properly so called, and the reappearance of Raspail and Alexis Mirbel
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The medium who partially recollects her automatisms, or to whom the sitters have detailed them after the close of the seance, adding also their comments, becomes preoccupied with these mysterious revelations; like the paranoiac, who perceives hidden meanings o
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Compared with the seance of November, 1894, that of February, 1896 (of which a résumé follows), shows interesting innovations
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Hélène thereupon mimics the voyage to Mars in three phases, the meaning of which is indicated by Leopold: a regular rocking motion of the upper part of the body (passing through the terrestrial atmosphere), absolute immobility and rigidity (interplanetary spac
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It has seemed to me necessary to describe with some detail this seance, at which the Martian language made its first appearance, in order to place before the reader all the fragments which we have been able to gather, without, of course, any guarantee of absol
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February 16, 1896.—“At the beginning of this seance, Hélène has a vision of Alexis Mirbel, who announces, by means of the table, that he has not forgotten his French, and that he will give a translation of the Martian words another day
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This seance, which was almost a failure, was the last of that period
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This phrase was undoubtedly Martian, but what was the meaning of it?
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tter the name of Esenale, to which Hélène replies in a soft, feeble, somewhat melancholy, voice: “Esenale has gone away
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In using the word “romance” to designate the Martian communications, taken as a whole, I wish to state that they are, to my mind, a work of pure imagination, but not that there are to be found in them characteristics of unity and of internal co-ordination, of
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Then at the first recurrence to this talisman (November 2d, see p
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overs about (his mother), sees her with joy, but is incapable of speaking to her in your language.[18] Whether it will return to him I do not know and cannot say, but I believe that it will
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