Pine-tree conspicuous at the Festival of, 187 Sanjo, Princess
- Date of account
- Traditional material presented in a work published 1913
- Source
- Myths & Legends of Japan
- Reference
- Myths & Legends of Japan · selected passage 201
- Rights
- public_domain
- Language
- English retelling of Japanese traditions
- Translation
- F. Hadland Davis
- Record updated
- 2026-08-24
Record summary
Pine-tree conspicuous at the Festival of, 187 Sanjo, Princess
Published source text
Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.
Source passage
Source text · mention onlyPine-tree conspicuous at the Festival of, 187 Sanjo, Princess. Issunboshi becomes page to, 365-367; the magic mallet and, 366 Sankichi. Dives from Tarada's junk and secures the Woman's Sword, 337 Sano Genzalmon Tsuneyo. Peasant who burns three dwarf trees to give warmth to Tokiyori, 183-186; goes to Kamakura, 185; rewarded by Tokiyori by being presented with the villages of Matsu-idu, Umeda, and Sakurai, 185, 186 Sanugi no Miyakko. Discovers Lady Kaguya ("Precious-Slender-Bamboo-of-the-Field-of-Autumn"), 65 Sanzu-no-Kawa. "The River of the Three Roads" along which the dead journey, 222 Sawara. Pupil of the artist Tenko, 122; loves Kimi, Tenko's niece, 122-125 Sayemon, Kato. A rich man who lived in palace of the Shōgun Ashikaga, 370; Ishidomaro son of, 371; becomes a priest in the temple of Kongobuji, on Mount Koya, 371 Sea. Legends of the, 323-341; Urashima in the palace of the Sea-King, 325, 328; of Mud, visited by Shikaiya Wasōbiōye, 374 Sea God. _See_ God of the Sea, 35 Seashore, The Spirit of the. Is unfavourable to Empress Jingo, 331 Sefuku-ji. Place in Izumi; one of the thirty-three places sacred to Kwannon, 203 Sengen.
Historical context
Contextual commentary · mention onlyThis is a passage from a historical religious or interpretive text. Its genre, manuscript history, translation and place within its own tradition are part of the evidence and must remain visible.
Modern context
Contextual commentary · mention onlyLattice can compare the passage's descriptive features with later reports, but resemblance does not turn a vision, angel, mythic creature or sacred narrative into a modern incident report.
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