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Research source

Pine-tree conspicuous at the Festival of, 187 Sanjo, Princess

Date of account
Traditional material presented in a work published 1913
Source
Myths & Legends of Japan
Reference
Myths & Legends of Japan · selected passage 201
Rights
public_domain
Language
English retelling of Japanese traditions
Translation
F. Hadland Davis
Record updated
2026-08-24

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Record summary

Pine-tree conspicuous at the Festival of, 187 Sanjo, Princess

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

Pine-tree conspicuous at the Festival of, 187 Sanjo, Princess. Issunboshi becomes page to, 365-367; the magic mallet and, 366 Sankichi. Dives from Tarada's junk and secures the Woman's Sword, 337 Sano Genzalmon Tsuneyo. Peasant who burns three dwarf trees to give warmth to Tokiyori, 183-186; goes to Kamakura, 185; rewarded by Tokiyori by being presented with the villages of Matsu-idu, Umeda, and Sakurai, 185, 186 Sanugi no Miyakko. Discovers Lady Kaguya ("Precious-Slender-Bamboo-of-the-Field-of-Autumn"), 65 Sanzu-no-Kawa. "The River of the Three Roads" along which the dead journey, 222 Sawara. Pupil of the artist Tenko, 122; loves Kimi, Tenko's niece, 122-125 Sayemon, Kato. A rich man who lived in palace of the Shōgun Ashikaga, 370; Ishidomaro son of, 371; becomes a priest in the temple of Kongobuji, on Mount Koya, 371 Sea. Legends of the, 323-341; Urashima in the palace of the Sea-King, 325, 328; of Mud, visited by Shikaiya Wasōbiōye, 374 Sea God. _See_ God of the Sea, 35 Seashore, The Spirit of the. Is unfavourable to Empress Jingo, 331 Sefuku-ji. Place in Izumi; one of the thirty-three places sacred to Kwannon, 203 Sengen.

Historical context

Contextual commentary · mention only

This is a passage from a historical religious or interpretive text. Its genre, manuscript history, translation and place within its own tradition are part of the evidence and must remain visible.

Modern context

Contextual commentary · mention only

Lattice can compare the passage's descriptive features with later reports, but resemblance does not turn a vision, angel, mythic creature or sacred narrative into a modern incident report.

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