One of the Seven Gods of Good Fortune, 115, 206; variants, Goddess of the Sea, of Love, of Beauty, and…
- Date of account
- Traditional material presented in a work published 1913
- Source
- Myths & Legends of Japan
- Reference
- Myths & Legends of Japan · selected passage 187
- Rights
- public_domain
- Language
- English retelling of Japanese traditions
- Translation
- F. Hadland Davis
- Record updated
- 2026-08-24
Record summary
One of the Seven Gods of Good Fortune, 115, 206; variants, Goddess of the Sea, of Love, of Beauty, and Eloquence, 115, 206; resembles Kwannon, 206; the Dragon and, 207; famous Island of Enoshima and the coming of, 207; temple of the "Birth Water" sacred to, 207; Hanagaki Baishū and, 207-209 Bibliography
Published source text
Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.
Source passage
Source text · mention onlyOne of the Seven Gods of Good Fortune, 115, 206; variants, Goddess of the Sea, of Love, of Beauty, and Eloquence, 115, 206; resembles Kwannon, 206; the Dragon and, 207; famous Island of Enoshima and the coming of, 207; temple of the "Birth Water" sacred to, 207; Hanagaki Baishū and, 207-209 Bibliography. _See_ 397-401 Bimbo. Raitaro (the Child of Thunder) and, 252, 253 Bimbogami. The God of Poverty; Japanese superstitions and, 349 Bimbomushi ("Poverty-Insect"). Superstition _re_, 349 Bird-s. Legends of, 276-280; the _hototogisu_, a mysterious, 278; the Tongue-cut Sparrow, 279; killing of, contrary to teaching of the Lord Buddha, 280; Saijosen and the Phoenix, 281; called _O-Goncho_, 363; birds beloved of Chōmei, 385 Bishamon. One of the Seven Gods of Good Fortune, 115 Biwa, Lake. Hidesato's encounters with the Dragon King of, 62-64; Visu sees lake bearing name of, 137; Professor Chamberlain's opinion _re_, 137 Banko, Admiral. Kohaku Jo sends treasures by, to temple of Kofukuji, 89 Bon Odori. A dance at the Festival of the Dead, 181; origin of, 223; corresponds to the Indian _sraddha_, 224 Bowl.
Historical context
Contextual commentary · mention onlyThis is a passage from a historical religious or interpretive text. Its genre, manuscript history, translation and place within its own tradition are part of the evidence and must remain visible.
Modern context
Contextual commentary · mention onlyLattice can compare the passage's descriptive features with later reports, but resemblance does not turn a vision, angel, mythic creature or sacred narrative into a modern incident report.
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