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I am still near, Watching the smiles I prized on earth, Your converse mild, your blameless mirth.[64

Date of account
Late nineteenth-century compilation
Source
The Ghost World
Reference
The Ghost World · selected passage 151
Rights
public_domain
Language
English
Record updated
2026-08-24

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Record summary

In defining 'second sight' as a singular faculty 'of seeing an otherwise invisible object without any previous means used by the person that beholds it for that end,' we are at once confronted with the well-known axiom that 'a man cannot be in two places at once,' a rule with which it is difficult to reconcile such sta…

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

In defining 'second sight' as a singular faculty 'of seeing an otherwise invisible object without any previous means used by the person that beholds it for that end,' we are at once confronted with the well-known axiom that 'a man cannot be in two places at once,' a rule with which it is difficult to reconcile such statements as those recorded by Pennant of a gentleman of the Hebrides said to have had the gift of foreseeing visitors in time to get ready for them, or the anecdote which tells how St. Ambrose fell into a comatose state while celebrating the mass at Milan, and on his recovery asserted that he had been present at St. Martin's funeral at Tours, where it was afterwards declared he had been seen. But it must be remembered that believers in 'second sight' base their faith not so much on metaphysical definitions as on the evidence of daily experience, it being of immaterial importance to them how impossible a certain doctrine may seem, provided it only has the testimony of actual witnesses in its favour.

Historical context

Contextual commentary · mention only

This material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.

Modern context

Contextual commentary · mention only

Lattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.

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