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Allatu is greatly enraged when the demand is made "in the name of the great gods," and curses Ashushu-namir…

Date of account
Ancient traditions presented in a work published 1916
Source
Myths & Legends of Babylonia & Assyria
Reference
Myths & Legends of Babylonia & Assyria · selected passage 28
Rights
public_domain
Language
English synthesis of Sumerian, Akkadian, Babylonian and Assyrian material
Translation
Lewis Spence, with cited translations and retellings
Record updated
2026-08-24

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Record summary

Allatu is greatly enraged when the demand is made "in the name of the great gods," and curses Ashushu-namir with a terrible curse, condemning him to dwell in the darkness of a dungeon, with the garbage of the city for his food

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

Allatu is greatly enraged when the demand is made "in the name of the great gods," and curses Ashushu-namir with a terrible curse, condemning him to dwell in the darkness of a dungeon, with the garbage of the city for his food. Nevertheless she cannot resist the power of the conjuration, wherefore she bids Namtar, the plague-demon, release the Annunaki, or earth-spirits, and place them on a golden throne, and pour the waters of life over Ishtar. Namtar obeys; in the words of the poem he "smote the firmly-built palace, he shattered the threshold which bore up the stones of light, he bade the spirits of earth come forth, on a throne of gold did he seat them, over Ishtar he poured the waters of life and brought her along." Ishtar is then led through the seven gates of Arula, receiving at each the article of attire whereof she had there been deprived. Finally she emerges into the earth-world, which resumes its normal course. Then follow a few lines addressed to Ishtar, perhaps by the plague-demon or by the keeper of the gates. "If she (Allatu) hath not given thee that for which the ransom is paid her, return to her for Tammuz, the bridegroom of thy youth. Pour over him pure waters and precious oil.

Historical context

Contextual commentary · mention only

This is a passage from a historical religious or interpretive text. Its genre, manuscript history, translation and place within its own tradition are part of the evidence and must remain visible.

Modern context

Contextual commentary · mention only

Lattice can compare the passage's descriptive features with later reports, but resemblance does not turn a vision, angel, mythic creature or sacred narrative into a modern incident report.

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