The Sumerian incantation, which is provided with a Semitic translation, adds somewhat to our knowledge of this…
- Date of account
- Ancient traditions presented in a work published 1916
- Source
- Myths & Legends of Babylonia & Assyria
- Reference
- Myths & Legends of Babylonia & Assyria · selected passage 21
- Rights
- public_domain
- Language
- English synthesis of Sumerian, Akkadian, Babylonian and Assyrian material
- Translation
- Lewis Spence, with cited translations and retellings
- Record updated
- 2026-08-24
Record summary
The Sumerian incantation, which is provided with a Semitic translation, adds somewhat to our knowledge of this cosmogony
Published source text
Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.
Source passage
Source text · mention onlyThe Sumerian incantation, which is provided with a Semitic translation, adds somewhat to our knowledge of this cosmogony. It states that in the beginning nothing as yet existed, none of the great cities of Babylonia had yet been built, indeed there was no land, nothing but sea. It was not until the veins of Tiawath had been cut through that paradise and the abyss appear to have been separated and the gods created by Merodach. Also did he create _annunaki_ or gods of the earth, and established a wondrous city as a place in which they might dwell. Then men were formed with the aid of the goddess Aruru, and finally vegetation, trees, and animals. Then did Merodach raise the great temples of Erech and Nippur. From this account we see that instead of Merodach being alluded to as the son of the gods, he is regarded as their creator. In the library of Nineveh was also discovered a copy of a tablet written for the great temple of Nergal at Cuthah. Nergal himself is supposed to make the statement which it contains. He tells us how the hosts of chaos and confusion came into being.
Historical context
Contextual commentary · mention onlyThis is a passage from a historical religious or interpretive text. Its genre, manuscript history, translation and place within its own tradition are part of the evidence and must remain visible.
Modern context
Contextual commentary · mention onlyLattice can compare the passage's descriptive features with later reports, but resemblance does not turn a vision, angel, mythic creature or sacred narrative into a modern incident report.
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