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Ca, where there are no crocodiles, is the survival of an ancient recollection of the time when the ancestors of…

Date of account
Second edition published 1896
Source
The Popular Religion and Folk-Lore of Northern India, Vol. 2 (of 2)
Reference
The Popular Religion and Folk-Lore of Northern India, Vol. 2 (of 2) · selected passage 127
Rights
public_domain
Language
English
Record updated
2026-08-25

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Record summary

ca, where there are no crocodiles, is the survival of an ancient recollection of the time when the ancestors of the present Kaffirs dwelt on the margins of rivers infested by these murderous brutes, and where they often saw their women drawn underneath when going to the river to fetch water." [688] The crocodile may th…

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Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

ca, where there are no crocodiles, is the survival of an ancient recollection of the time when the ancestors of the present Kaffirs dwelt on the margins of rivers infested by these murderous brutes, and where they often saw their women drawn underneath when going to the river to fetch water." [688] The crocodile may thus be the type of many of the Indian water demons to whom reference has been already made. Hence, it is a general rule among savages to spare crocodiles, or rather only to kill them in obedience to the law of blood feud, that is, as a retaliation for the slaughter of men by crocodiles. In India it became a favourite form of religious suicide to be devoured by the crocodiles at Gangasâgar. Makara, a sort of marine monster, half crocodile and half shark, is the vehicle of Kâmadeva, the god of love, and Gangâ Mâî is depicted as riding on an alligator. They are sometimes put into tanks and worshipped, and fishermen have a tradition that, if duly appeased, they never attack them.

Historical context

Contextual commentary · mention only

This material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.

Modern context

Contextual commentary · mention only

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