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In parts of the North-Western Provinces, with the usual Nâgpanchamî, is performed what is known as the Guruî…

Date of account
Second edition published 1896
Source
The Popular Religion and Folk-Lore of Northern India, Vol. 2 (of 2)
Reference
The Popular Religion and Folk-Lore of Northern India, Vol. 2 (of 2) · selected passage 79
Rights
public_domain
Language
English
Record updated
2026-08-25

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Record summary

In parts of the North-Western Provinces, with the usual Nâgpanchamî, is performed what is known as the Guruî festival

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

In parts of the North-Western Provinces, with the usual Nâgpanchamî, is performed what is known as the Guruî festival. On that day offerings are made by women to the Dragon godling Nâg Deotâ. Girls let dolls float in the water of some convenient river or tank, and the village lads beat the dolls with long switches specially cut for the purpose. The legend of this rite is thus told. When Râja Janamejâya held the Sarpa Sattra or snake rite in order to destroy Takshaka, the king of the serpents, all the snakes were captured by spells and killed. But Takshaka escaped and was found to have taken refuge with Indra, on whose throne he seated himself in the shape of a mosquito. Indra was ordered to produce the fugitive, and begged the life of Takshaka, which was granted on condition that he was banished from the land. So the snake king took the shape of a Brâhman lad and retired to the Caucasus. There he settled and married, but he foolishly told the story to his wife, and she being unable to keep the secret, it finally reached the ears of Janamejâya, who sentenced him to death. Takshaka then retorted by ordering Janamejâya to cause everyone in his dominions to kill his wife as a revenge for his own wife's treachery.

Historical context

Contextual commentary · mention only

This material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.

Modern context

Contextual commentary · mention only

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