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When the Korwas of Mirzapur have to enter a cave, they first arm themselves with a rude spear and axe as a…

Date of account
Second edition published 1896
Source
The Popular Religion and Folk-Lore of Northern India, Vol. 1 (of 2)
Reference
The Popular Religion and Folk-Lore of Northern India, Vol. 1 (of 2) · selected passage 120
Rights
public_domain
Language
English
Record updated
2026-08-25

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Record summary

When the Korwas of Mirzapur have to enter a cave, they first arm themselves with a rude spear and axe as a protection against Bhûts

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

When the Korwas of Mirzapur have to enter a cave, they first arm themselves with a rude spear and axe as a protection against Bhûts. There are two haunted caves in the Mircha and Banka Hills in Sarguja. The Mircha cave is inhabited by a demon called Mahâdâni Deo, who is much feared. Not even a Baiga can enter this cave, but many of them have seen his white horse tied up near the entrance, and green grass and horsedung lying there. In the cave on the Banka Hill lives a Dâno, whose name either no one knows or dares to tell. No one ventures to enter his cave, and he worries people in dreams and brings sickness, unless a Baiga periodically offers a cock with black and white feathers below the cave, makes a fire sacrifice and throws some grains of rice in the direction of the mountain. When this Deo is enraged, a noise which sounds like Gudgud! Gudgud! comes from the cave. He is also heard shouting at night, and when cholera is coming he calls out Khabardâr! Khabardâr! "Be cautious! Be cautious!" Any one who goes near the cave gets diarrhoea. Captain Younghusband has recently solved the mystery of the famous Lamp Rock cave of Central Asia, which is simply the light coming through a concealed aperture at the rear of the entrance.

Historical context

Contextual commentary · mention only

This material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.

Modern context

Contextual commentary · mention only

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