Skip to content
← Research library

Research source

Leland: [579] "A traveller in Persia has observed that the patterns of carpets are made intricate, so that the…

Date of account
Second edition published 1896
Source
The Popular Religion and Folk-Lore of Northern India, Vol. 1 (of 2)
Reference
The Popular Religion and Folk-Lore of Northern India, Vol. 1 (of 2) · selected passage 115
Rights
public_domain
Language
English
Record updated
2026-08-25

View the original source ↗

Record summary

Leland: [579] "A traveller in Persia has observed that the patterns of carpets are made intricate, so that the Evil Eye, resting upon them and following the design, loses its power

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

Leland: [579] "A traveller in Persia has observed that the patterns of carpets are made intricate, so that the Evil Eye, resting upon them and following the design, loses its power. This was the motive of all the interlaces of the Celtic and Norse designs. When the witch sees the Sâlagrâma, her glance is at once bewildered with its holes and veins. As I have elsewhere remarked, the herb Rosaloaccio, not the corn poppy, but a kind of small house leek, otherwise called 'Rice of the Goddess of the four Winds,' derives its name from looking, ere it unfolds, like confused grains of rice, and when a witch sees it she cannot enter till she has counted them, which is impossible; therefore it is used to protect rooms from witchcraft." Sarson or mustard is, it may be noted, used as a scarer of demons. In all the principal Hindu ceremonies in Western India, grains of Sarshapa or Sarson (Sinapts dichotoma) and parched rice are scattered about to scare fiends. Akbar used to have Sipand or Sarson burnt on a hot plate to keep off the Evil Eye--Nazar-i-bad--from his valuable horses.

Historical context

Contextual commentary · mention only

This material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.

Modern context

Contextual commentary · mention only

Lattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.

Investigate related details with Anomaly Graph’s account-based search, or read how matching and provenance work.