The Râkshasa again, a word that means "the harmer" or "the destroyer," is of the ogre-vampire type
- Date of account
- Second edition published 1896
- Source
- The Popular Religion and Folk-Lore of Northern India, Vol. 1 (of 2)
- Reference
- The Popular Religion and Folk-Lore of Northern India, Vol. 1 (of 2) · selected passage 94
- Rights
- public_domain
- Language
- English
- Record updated
- 2026-08-25
Record summary
The Râkshasa again, a word that means "the harmer" or "the destroyer," is of the ogre-vampire type
Published source text
Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.
Source passage
Source text · mention onlyThe Râkshasa again, a word that means "the harmer" or "the destroyer," is of the ogre-vampire type. He goes about at night, haunts cemeteries, disturbs sacrifices and devout men, animates dead bodies, even devouring human beings, in which capacity he is known as Kravyâda, or carnivorous, and is generally hostile to the human race. He is emphatically a devourer of human flesh, and eats carrion. He is often represented in the folk-tales as having a pretty daughter, who protects the hero when he ventures perchance into the abode of the monster. Her father comes in, and with the cry of "Manush gandha," which is equivalent to the "Fee! fo! fum! I smell the blood of an Englishman!" of the Western tale, searches about, but fails to find him. When Hanumân entered the city of Lanka in the form of a cat, to reconnoitre, he saw that the Râkshasas who slept in the house "were of every shape and form. Some of them disgusted the eye, while some were beautiful to look on. Some had long arms and frightful shapes; some were very fat and some were very lean; some were dwarf and some were prodigiously tall. Some had only one eye, and others had only one ear.
Historical context
Contextual commentary · mention onlyThis material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.
Modern context
Contextual commentary · mention onlyLattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.
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