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Begone with the bone!" [484] At a Gond wedding, the old man who officiates knocks the heads of the bride and…

Date of account
Second edition published 1896
Source
The Popular Religion and Folk-Lore of Northern India, Vol. 1 (of 2)
Reference
The Popular Religion and Folk-Lore of Northern India, Vol. 1 (of 2) · selected passage 88
Rights
public_domain
Language
English
Record updated
2026-08-25

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Record summary

Begone with the bone!" [484] At a Gond wedding, the old man who officiates knocks the heads of the bride and bridegroom together to scare the evil spirits, [485] and at a Hindu marriage in Northern India the mother of the youth, as he leaves to fetch his bride, and as he returns with her, waves lamps, a brass tray, gra…

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

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Begone with the bone!" [484] At a Gond wedding, the old man who officiates knocks the heads of the bride and bridegroom together to scare the evil spirits, [485] and at a Hindu marriage in Northern India the mother of the youth, as he leaves to fetch his bride, and as he returns with her, waves lamps, a brass tray, grain, and a rice pounder, to drive off the Bhûts fluttering round his head. It is on the same principle that the bridegroom wears a marriage crown, and this also accounts for many of the customs of blessing by the laying on of hands and anointing which prevail all over the world. In the same way the hair has always been regarded as a spirit entry. Magistrates in Northern India are often troubled by people who announce their intention of "letting their hair grow" at some one whom they desire to injure. This, if one can judge by the manifest terror exhibited by the person against whom this rite is directed, must be a very stringent form of coercion.

Historical context

Contextual commentary · mention only

This material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.

Modern context

Contextual commentary · mention only

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