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Whenever a real ghost appears,--by which we mean some man or woman dressed up to frighten another,--if the…

Date of account
Published 1857
Source
The Spirit Land
Reference
The Spirit Land · selected passage 167
Rights
public_domain
Language
English
Record updated
2026-08-24

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Record summary

Whenever a real ghost appears,--by which we mean some man or woman dressed up to frighten another,--if the supernatural character of the apparition has been for a moment believed, the effects on the spectator have always been injurious--sometimes producing convulsions, idiocy, madness, or even instantaneous death

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

Whenever a real ghost appears,--by which we mean some man or woman dressed up to frighten another,--if the supernatural character of the apparition has been for a moment believed, the effects on the spectator have always been injurious--sometimes producing convulsions, idiocy, madness, or even instantaneous death. The celebrated Allston, the painter, when in England, related the following incident to his friend Coleridge, the poet: "It was, I think," said he, "in the University of Cambridge, near Boston, that a certain youth took it into his wise head to convert a Tom Paine-ish companion of his by appearing as a ghost before him. He accordingly dressed himself up in the usual way, having previously extracted the ball from the pistol which always lay near the head of his friend's bed. Upon first awakening, and seeing the apparition, the youth that was to be frightened very coolly looked his companion, the ghost, in the face, and said, 'I know you; this is a good joke; but you see I am not frightened. Now you may vanish.' The ghost stood still. 'Come,' said the youth, 'that is enough. I shall get angry; away!' Still the ghost moved not.

Historical context

Contextual commentary · mention only

This is a historical account assembled under the reporting and publishing conventions of its period. It may preserve testimony, hearsay, retelling and editorial interpretation together.

Modern context

Contextual commentary · mention only

A modern comparison can identify recurring descriptions and possible explanations, but the account is not treated as independently verified evidence merely because it appeared in print.

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