A writer in the New York Sun (I have the clipping, but, unfortunately, not the date), discussing the best…
- Date of account
- Published 1886
- Source
- Mythical Monsters
- Reference
- Mythical Monsters · selected passage 164
- Rights
- public_domain
- Language
- English
- Record updated
- 2026-08-24
Record summary
A writer in the New York Sun (I have the clipping, but, unfortunately, not the date), discussing the best authenticated stories, says: "The Lynn sea-serpent appears to be the most authentic, the writer having seen several persons who saw it from the beach, and knowing others personally or by reputation
Published source text
Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.
Source passage
Source text · mention onlyA writer in the _New York Sun_ (I have the clipping, but, unfortunately, not the date), discussing the best authenticated stories, says: "The Lynn sea-serpent appears to be the most authentic, the writer having seen several persons who saw it from the beach, and knowing others personally or by reputation. The first animal of this kind seen about Lynn was in 1638, and was seen by Dr. John Josselyn; and again another was observed, in 1819, by Mr. Cabot. Amos Lawrance, one of the pillars of old Boston, said: 'I have never had any doubt of the existence of the sea-serpent since the morning he was seen off Nahant by old Marshal Prince through his famous masthead spy-glass. For within the next two hours I conversed with Samuel Cabot and Daniel P. Parker, I think, and one or more persons besides, who had spent a part of that morning in witnessing its movements.
Historical context
Contextual commentary · mention onlyThis is a historical compilation of unusual-animal reports and argument. Witness testimony, repetition between publications and the author's zoological assumptions all affect independence and reliability.
Modern context
Contextual commentary · mention onlyLattice compares morphology, behaviour and setting while keeping misidentification, folklore, exaggeration, error and known animals available as alternatives.
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