The Sanskrit deva, 'the shining one,' Zend daêva, correspond with the Greek theos, Latin deus, Anglo-Saxon Tiw;…
- Date of account
- Published 1879
- Source
- Demonology and Devil-lore
- Reference
- Demonology and Devil-lore · selected passage 31
- Rights
- public_domain
- Language
- English
- Record updated
- 2026-08-24
Record summary
The Sanskrit deva, 'the shining one,' Zend daêva, correspond with the Greek theos, Latin deus, Anglo-Saxon Tiw; and remain in 'deity,' 'deuce' (probably; it exists in Armorican, teuz, a phantom), 'devel' (the gipsy name for God), and Persian div, demon
Published source text
Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.
Source passage
Source text · mention onlyThe Sanskrit deva, 'the shining one,' Zend daêva, correspond with the Greek theos, Latin deus, Anglo-Saxon Tiw; and remain in 'deity,' 'deuce' (probably; it exists in Armorican, teuz, a phantom), 'devel' (the gipsy name for God), and Persian div, demon. The Demon of Socrates represents the personification of a being still good, but no doubt on the path of decline from pure divinity. Plato declares that good men when they die become 'demons,' and he says 'demons are reporters and carriers between gods and men.' Our familiar word bogey, a sort of nickname for an evil spirit, comes from the Slavonic word for God--bog. Appearing here in the West as bogey (Welsh bwg, a goblin), this word bog began, probably, as the 'Baga' of cuneiform inscriptions, a name of the Supreme Being, or possibly the Hindu 'Bhaga,' Lord of Life. In the 'Bishop's Bible' the passage occurs, 'Thou shalt not be afraid of any bugs by night:' the word has been altered to 'terror.' When we come to the particular names of demons, we find many of them bearing traces of the splendours from which they have declined.
Historical context
Contextual commentary · mention onlyThis material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.
Modern context
Contextual commentary · mention onlyLattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.
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