Research source

THE CUCKOO, THE HERON, THE HEATHCOCK, THE PARTRIDGE, THE NIGHTINGALE, THE SWALLOW, THE SPARROW, AND

Date of account: English edition published 1872
Source: Zoological Mythology; or, The Legends of Animals, Volume 2 (of 2)
Reference: Zoological Mythology; or, The Legends of Animals, Volume 2 (of 2) · selected passage 153
Rights: public_domain
Language: English
Record updated: 2026-08-25

Record summary

Ahuramazda and Anhromainyu, who occupy the first place as the creators of the world, are also two males in opposition to one another

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

Ahuramazda and Anhromainyu, who occupy the first place as the creators of the world, are also two males in opposition to one another. From Ahuramazda descends Thrætaona or Feridun, the killer of the serpent (azhi) Dahâka, or Dahak, or Zohak, the three-headed dragon which Anhromainyu created to destroy the beautiful in the world, as the strongest of monsters.[582] In Hindoo tradition we find the bird Garudas on the side of the gods, and the Nâgas or serpent on that of the demons; so, in Persian tradition, the bird Simurg is on the side of the gods, and the serpent or sea-monster on that of the demons. It is in the midst of the waters that the hero Kereçâçpa finds the great serpent Çruvara, who devours men and horses, and who ejects a venom as large as a man's thumb. Taking him probably for an island,[583] he has food cooked upon it; the serpent feels the heat, and begins to move; it then throws Kereçâçpa, the courageous Kereçâçpa, over backwards. There seems to be some analogy between this myth of the Yaçna of the _Avesta_ and the story of the fearless hero of the Russian story, who, being asleep in a boat, falls into the river when terrified by the little fish which had jumped upon him.

Historical context

Contextual commentary · mention only

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Modern context

Contextual commentary · mention only

Lattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.

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