Research source

THE CUCKOO, THE HERON, THE HEATHCOCK, THE PARTRIDGE, THE NIGHTINGALE, THE SWALLOW, THE SPARROW, AND

Date of account: English edition published 1872
Source: Zoological Mythology; or, The Legends of Animals, Volume 2 (of 2)
Reference: Zoological Mythology; or, The Legends of Animals, Volume 2 (of 2) · selected passage 139
Rights: public_domain
Language: English
Record updated: 2026-08-25

Record summary

But the diabolical form of a frog is sometimes assumed by the beautiful maiden (or else by the handsome youth) as the effect of a malediction or an enchantment

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

But the diabolical form of a frog is sometimes assumed by the beautiful maiden (or else by the handsome youth) as the effect of a malediction or an enchantment. Thus it is in the interesting twenty-third story of the second book of _Afanassieff_. There is a Tzar who has three sons; each son must shoot an arrow; where the arrow falls, each brother will find his predestined wife. The two eldest brothers marry in this way two beautiful women; the arrow of the youngest brother Ivan, however, is taken up by a frog, whom he is obliged to marry. The Tzar wishes to see which of the three brides makes the handsomest present to her husband. All three give their husbands a shirt, but that of the frog is the most beautiful; for whilst Ivan sleeps (that is, in the night), she casts her skin, becomes the beautiful Helen (generally the aurora, but here, it would seem, the same transformed into the good fairy moon), and orders her attendants to prepare the finest shirt possible; she then again becomes a frog.

Historical context

Contextual commentary · mention only

This material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.

Modern context

Contextual commentary · mention only

Lattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.

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