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THE CUCKOO, THE HERON, THE HEATHCOCK, THE PARTRIDGE, THE NIGHTINGALE, THE SWALLOW, THE SPARROW, AND

Date of account
English edition published 1872
Source
Zoological Mythology; or, The Legends of Animals, Volume 2 (of 2)
Reference
Zoological Mythology; or, The Legends of Animals, Volume 2 (of 2) · selected passage 118
Rights
public_domain
Language
English
Record updated
2026-08-25

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Record summary

When he comes on the swan to meet the beautiful maiden, no one must ask him whence he came

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

When he comes on the swan to meet the beautiful maiden, no one must ask him whence he came. The swan awaits him and will draw him once more under its magic power, and into its gloomy kingdom, as soon as this kingdom is remembered by the living. The imagination of the Celtic and Germanic nations has, in a cycle of numerous and fascinating legends, invested with solemn mystery this myth, to which the inspired and classical music of Richard Wagner has, in Lohengrin, imparted a new attractive magic. Lohengrin, the _recens natus_, the hero born of himself, arrives in a boat drawn by a swan, into which a sorceress has transformed Elsa's young brother: he comes to deliver the Princess Elsa, and is about to marry her, but he does not forget that as long as he remains with her, so much the longer will the torment of her brother endure, so much the longer will he suffer in the shape of a swan; woe to him if any one asks who he is, whence he came, or what that swan is, for he would then be obliged to remember that the swan waits for him to deliver it.

Historical context

Contextual commentary · mention only

This material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.

Modern context

Contextual commentary · mention only

Lattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.

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