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THE CUCKOO, THE HERON, THE HEATHCOCK, THE PARTRIDGE, THE NIGHTINGALE, THE SWALLOW, THE SPARROW, AND

Date of account
English edition published 1872
Source
Zoological Mythology; or, The Legends of Animals, Volume 2 (of 2)
Reference
Zoological Mythology; or, The Legends of Animals, Volume 2 (of 2) · selected passage 56
Rights
public_domain
Language
English
Record updated
2026-08-25

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Record summary

In a Tuscan story, the blacksmith makes a lion by means of which Argentofo penetrates by night into the room of a young princess, with whom he unites himself

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

In a Tuscan story, the blacksmith makes a lion by means of which Argentofo penetrates by night into the room of a young princess, with whom he unites himself. In the third story of the fourth book of the _Pentamerone_, the three prince brothers, when the fairy's curse is over, return home with their brides, drawn by six lions. This lion-seducer reminds us of Indras, who was also a lion and a seducer of women. A hymn tells us that Indras fights like a terrible lion;[246] in another hymn, the same lion is considered, as in the legend of Samson, in connection with honey.[247] In the twenty-second night of the _Tuti-Name_, the lion presents himself in connection with riches; flattered by a man who calls him a king, he lets him collect the riches scattered on the ground by a caravan which the lion had destroyed.[248] His royal nature is also shown in the _Râmâyanam_,[249] in which King Daçarathas says that his son Râmas, the lion of men, after his exile, will disdain to occupy the kingdom previously enjoyed by Bharatas, in the same way as the lion disdains to feed upon flesh which has been licked by other animals. It is perhaps for this reason that, in the fable, the lion's part means all the prey.

Historical context

Contextual commentary · mention only

This material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.

Modern context

Contextual commentary · mention only

Lattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.

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