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THE CUCKOO, THE HERON, THE HEATHCOCK, THE PARTRIDGE, THE NIGHTINGALE, THE SWALLOW, THE SPARROW, AND

Date of account
English edition published 1872
Source
Zoological Mythology; or, The Legends of Animals, Volume 2 (of 2)
Reference
Zoological Mythology; or, The Legends of Animals, Volume 2 (of 2) · selected passage 10
Rights
public_domain
Language
English
Record updated
2026-08-25

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Record summary

In the Russian stories, as well as in the Italian ones, the witch substitutes for one, two, or three sons of the prince, who have stars on their forehead, and were born of the princess in her husband's absence, one, two, or three puppies

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

In the Russian stories, as well as in the Italian ones, the witch substitutes for one, two, or three sons of the prince, who have stars on their forehead, and were born of the princess in her husband's absence, one, two, or three puppies. In these same stories, the hand of the persecuted princess is cut off. In the thirteenth story of the third book of _Afanassieff_,[57] the witch sister-in-law accuses her husband's sister of imaginary crimes in his presence. The brother cuts her hands off; she wanders into the forest; she comes out again only after the lapse of several years; a young merchant becomes enamoured of her, and marries her. During her husband's absence, she gives birth to a child whose body is all of gold, effigies of stars, moon, and sun covering it. His parents write to their son, telling him the news; but the witch sister-in-law abstracts the letter (as in the myth of Bellerophôn), and forges another, which announces, on the contrary, that a monster, half dog and half bear, is born. The husband writes back, bidding them wait until he returns to see with his own eyes his new-born son. The witch intercepts this letter also, and changes it for another, in which he orders his young wife to be sent away.

Historical context

Contextual commentary · mention only

This material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.

Modern context

Contextual commentary · mention only

Lattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.

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