In the European popular tales we sometimes have, instead of the hero who carries off his master's horse, the…
- Date of account
- English edition published 1872
- Source
- Zoological Mythology; or, The Legends of Animals, Volume 1 (of 2)
- Reference
- Zoological Mythology; or, The Legends of Animals, Volume 1 (of 2) · selected passage 118
- Rights
- public_domain
- Language
- English
- Record updated
- 2026-08-25
Record summary
In the European popular tales we sometimes have, instead of the hero who carries off his master's horse, the hero himself, who escapes from his master in the form of a horse, helped in his flight by the daughter of his master, by the magician's or demon's daughter or black maiden (who afterwards becomes beautiful and l…
Published source text
Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.
Source passage
Source text · mention onlyIn the European popular tales we sometimes have, instead of the hero who carries off his master's horse, the hero himself, who escapes from his master in the form of a horse, helped in his flight by the daughter of his master, by the magician's or demon's daughter or black maiden (who afterwards becomes beautiful and luminous). In the Hungarian belief, the youngest of the witch's daughters (the aurora) often assumes the form of the heroic horse of the Tatos. She becomes Tatos when the hero, meeting her, strikes her on the forehead with the bridle; then she carries him, in the shape of a horse, into the air. In the Russian story,[650] the son of a merchant goes to be instructed by a wise magician, who teaches him every kind of knowledge, and, among the rest, what sheep say when they bleat, birds when they sing, and horses when they neigh. At last the young man, having learned every species of mischief, returns home and transforms himself into a horse, in order that his father may sell him at the market and make money; but he warns his father not to give up the bridle, that he may not fall again into the hands of the magician. The father forgets, and sells horse and bridle together.
Historical context
Contextual commentary · mention onlyThis material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.
Modern context
Contextual commentary · mention onlyLattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.
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