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This god Mercury, who steals the bulls from Apollo (as Hêraklês leads away the oxen of Geryon), is the divine…

Date of account
English edition published 1872
Source
Zoological Mythology; or, The Legends of Animals, Volume 1 (of 2)
Reference
Zoological Mythology; or, The Legends of Animals, Volume 1 (of 2) · selected passage 107
Rights
public_domain
Language
English
Record updated
2026-08-25

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Record summary

This god Mercury, who steals the bulls from Apollo (as Hêraklês leads away the oxen of Geryon), is the divine form of the thief

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

This god Mercury, who steals the bulls from Apollo (as Hêraklês leads away the oxen of Geryon), is the divine form of the thief. His demoniacal form, is--Cacus, the son of Vulcan (as the Vedic Vritras is the son of Tvashtar), who vomits fire; a giant who envelops himself in darkness, in Virgil; three-headed (like the Vedic monster), in Propertius;[515] who inhabits in the Aventine forest a cavern full of human bones (like the monster of fairy tales); who thunders (flammas ore sonante vomit), who fights with rocks and trunks of trees, in Ovid[516] (like the heroes in the Hindoo, Slavonic, German, and Homeric tradition); who steals the cows from Hêraklês, and hides their footprints by dragging them backwards into the cavern, in Livy; who also tells us that the cows in the cavern low, wishing for the bulls from whom they are separated (as in the Vedic hymns). The hero, hearing them, finds the cavern, overturns with a great noise the rock which five pair of oxen yoked together could scarcely have moved (like the Marutas who break the rock, like Indras who splits the crag open), and with the three-knotted club (trinodis) kills the monster and frees the cows.

Historical context

Contextual commentary · mention only

This material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.

Modern context

Contextual commentary · mention only

Lattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.

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