The thunder-god then becomes a child, and engages himself in the service of a fisherman, near a lake which the…
- Date of account
- English edition published 1872
- Source
- Zoological Mythology; or, The Legends of Animals, Volume 1 (of 2)
- Reference
- Zoological Mythology; or, The Legends of Animals, Volume 1 (of 2) · selected passage 55
- Rights
- public_domain
- Language
- English
- Record updated
- 2026-08-25
Record summary
The thunder-god then becomes a child, and engages himself in the service of a fisherman, near a lake which the devil is accustomed to visit to steal the fishes
Published source text
Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.
Source passage
Source text · mention onlyThe thunder-god then becomes a child, and engages himself in the service of a fisherman, near a lake which the devil is accustomed to visit to steal the fishes. He surprises him in the act of robbery, and by the help of a magician takes him prisoner, and has him beaten without pity, until he promises to pay a heavy ransom in money to be let free, the fisherman and his child to accompany him to hell itself to receive the sum of money. Arrived in hell, the devil entertains them like a gentleman. The child tells the fisherman to ask the devil to show them the musical instrument which he keeps enclosed in the iron room. The devil kindly consents, but cannot draw from the instrument anything more musical than the mewing of a cat or the grunting of a pig. The fisherman then laughs at the devil, and says that his boy can play better. The devil does not believe it, and laughingly gives the instrument, which he calls bagpipes, to the boy. The latter blows into them and makes such a noise that all hell resounds with it, and the devils fall to the earth as if dead.
Historical context
Contextual commentary · mention onlyThis material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.
Modern context
Contextual commentary · mention onlyLattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.
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