Investment with vague and uncontrollable powers, of a spiritual force formerly embodied in the concrete,…
- Date of account
- Published 1911
- Source
- Myths & Legends of the Celtic Race
- Reference
- Myths & Legends of the Celtic Race · selected passage 8
- Rights
- public_domain
- Language
- English
- Record updated
- 2026-08-24
Record summary
investment with vague and uncontrollable powers, of a spiritual force formerly embodied in the concrete, limited, manageable, and therefore less awful form of a living human personality
Published source text
Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.
Source passage
Source text · mention onlyinvestment with vague and uncontrollable powers, of a spiritual force formerly embodied in the concrete, limited, manageable, and therefore less awful form of a living human personality. Yet these powers were not altogether uncontrollable. The desire for control, as well as the suggestion of the means for achieving it, probably arose from the first rude practices of the art of healing. Medicine of some sort was one of the earliest necessities of man. And the power of certain natural substances, mineral or vegetable, to produce bodily and mental effects often of a most startling character would naturally be taken as signal evidence of what we may call the “magical” conception of the universe.(35) The first magicians were those who attained a special knowledge of healing or poisonous herbs; but “virtue” of some sort being attributed to every natural object and phenomenon, a kind of magical science, partly the child of true research, partly of poetic imagination, partly of priestcraft, would in time spring up, would be codified into rites and formulas, attached to special places and objects, and represented by symbols.
Historical context
Contextual commentary · mention onlyThis material belongs to a folklore tradition. Story type, collector, community, transmission and literary editing matter when comparing it with other sources.
Modern context
Contextual commentary · mention onlyLattice compares motifs and reported features without assuming that a traditional being is a biological species or that similar stories document one external cause.
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