In Scandinavia the elves, both light and dark, were worshipped as household divinities, and their images were…
- Date of account
- Ancient and medieval traditions presented in 1909
- Source
- Myths of the Norsemen: From the Eddas and Sagas
- Reference
- Myths of the Norsemen: From the Eddas and Sagas · selected passage 151
- Rights
- public_domain
- Language
- English retelling from Eddic and saga sources
- Translation
- H. A. Guerber
- Record updated
- 2026-08-24
Record summary
In Scandinavia the elves, both light and dark, were worshipped as household divinities, and their images were carved on the doorposts
Published source text
Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.
Source passage
Source text · mention onlyIn Scandinavia the elves, both light and dark, were worshipped as household divinities, and their images were carved on the doorposts. The Norsemen, who were driven from home by the tyranny of Harald Harfager in 874, took their carved doorposts with them upon their ships. Similar carvings, including images of the gods and heroes, decorated the pillars of their high seats which they also carried away. The exiles showed their trust in their gods by throwing these wooden images overboard when they neared the Icelandic shores and settling where the waves carried the posts, even if the spot scarcely seemed the most desirable. "Thus they carried with them the religion, the poetry, and the laws of their race, and on this desolate volcanic island they kept these records unchanged for hundreds of years, while other Teutonic nations gradually became affected by their intercourse with Roman and Byzantine Christianity." These records, carefully collected by Sæmund the learned, form the Elder Edda, the most precious relic of ancient Northern literature, without which we should know comparatively little of the religion of our forefathers.
Historical context
Contextual commentary · mention onlyThis is a passage from a historical religious or interpretive text. Its genre, manuscript history, translation and place within its own tradition are part of the evidence and must remain visible.
Modern context
Contextual commentary · mention onlyLattice can compare the passage's descriptive features with later reports, but resemblance does not turn a vision, angel, mythic creature or sacred narrative into a modern incident report.
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