Research source

GREEK FESTIVALS-- ELEUSINIAN MYSTERIES, 196 THESMOPHORIA, 197 DIONYSIA, 197 PANATHENAEA, 199 DAPHNEP

Date of account: Ancient material presented in a nineteenth-century survey
Source: Myths and Legends of Ancient Greece and Rome
Reference: Myths and Legends of Ancient Greece and Rome · selected passage 46
Rights: public_domain
Language: English retelling of Greek and Roman traditions
Translation: E. M. Berens
Record updated: 2026-08-24

Record summary

A most interesting description of the abode of Hypnus is given by Ovid in his Metamorphoses

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

A most interesting description of the abode of Hypnus is given by Ovid in his Metamorphoses. He tells us how the god of Sleep dwelt in a mountain-cave near the realm of the Cimmerians, which the sun never pierced with his rays. No sound disturbed the stillness, no song of birds, not a branch moved, and no human voice broke the profound silence which reigned everywhere. From the lowermost rocks of the cave issued the river Lethe, and one might almost have supposed that its course was arrested, were it not for the low, monotonous hum of the water, which invited slumber. The entrance was partially hidden by numberless white and red poppies, which Mother Night had gathered and planted there, and from the juice of which she extracts drowsiness, which she scatters in liquid drops all over the earth, as soon as the sun-god has sunk to rest. In the centre of the cave stands a couch of blackest ebony, with a bed of down, over which is laid a coverlet of sable hue. Here the god himself reposes, surrounded by innumerable forms. These are idle dreams, more numerous than the sands of the sea. Chief among them is Morpheus, that changeful god, who may assume any shape or form he pleases.

Historical context

Contextual commentary · mention only

This is a passage from a historical religious or interpretive text. Its genre, manuscript history, translation and place within its own tradition are part of the evidence and must remain visible.

Modern context

Contextual commentary · mention only

Lattice can compare the passage's descriptive features with later reports, but resemblance does not turn a vision, angel, mythic creature or sacred narrative into a modern incident report.

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