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Dit: Que le Diable dit le Sermo au Sabbat, mais qu'on n'entend ce qu'il dit, parce qu'il parle co[m]e en…

Date of account
Published 1921
Source
The Witch-cult in Western Europe: A Study in Anthropology
Reference
The Witch-cult in Western Europe: A Study in Anthropology · selected passage 46
Rights
public_domain
Language
English with quoted European trial material
Record updated
2026-08-24

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Record summary

Dit: Que le Diable dit le Sermo au Sabbat, mais qu'on n'entend ce qu'il dit, parce qu'il parle co[m]e en grodant.'[163] The devil who appeared to Joan Wallis, the Huntingdonshire witch, in 1649, was in the shape of a man dressed in black, but he 'was not as her husband, which speaks to her like a man, but he as he had …

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

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Dit: Que le Diable dit le Sermo au Sabbat, mais qu'on n'entend ce qu'il dit, parce qu'il parle co[~m]e en grodant.'[163] The devil who appeared to Joan Wallis, the Huntingdonshire witch, in 1649, was in the shape of a man dressed in black, but he 'was not as her husband, which speaks to her like a man, but he as he had been some distance from her when he was with her'.[164] Thomazine Ratcliffe, a Suffolk witch, said that the Devil 'spoke with a hollow, shrill voyce'.[165] According to Mary Green (1665) the Somerset Devil, who was a little man, 'put his hand to his Hat, saying, How do ye? speaking low but big'.[166] In the same year Abre Grinset, another Suffolk witch, confessed that she met the Devil, who was in the form of 'a Pretty handsom Young Man, and spake to her with a hollow Solemn Voice'.[167] John Stuart at Paisley (1678) said the Devil came to him as a black man, 'and that the black man's Apparel was black; and that the black man's Voice was hough and goustie'.[168]

Historical context

Contextual commentary · mention only

This is a historical account assembled under the reporting and publishing conventions of its period. It may preserve testimony, hearsay, retelling and editorial interpretation together.

Modern context

Contextual commentary · mention only

A modern comparison can identify recurring descriptions and possible explanations, but the account is not treated as independently verified evidence merely because it appeared in print.

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