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The witness averred that Mother Dickenson offered him money to conceal what he had seen, which he refused,…

Date of account
Published 1830
Source
Letters on Demonology and Witchcraft
Reference
Letters on Demonology and Witchcraft · selected passage 174
Rights
public_domain
Language
English
Record updated
2026-08-24

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Record summary

The witness averred that Mother Dickenson offered him money to conceal what he had seen, which he refused, saying "Nay, thou art a witch." Apparently she was determined he should have full evidence of the truth of what he said, for, like the Magician Queen in the Arabian Tales, she pulled out of her pocket a bridle and…

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

The witness averred that Mother Dickenson offered him money to conceal what he had seen, which he refused, saying "Nay, thou art a witch." Apparently she was determined he should have full evidence of the truth of what he said, for, like the Magician Queen in the Arabian Tales, she pulled out of her pocket a bridle and shook it over the head of the boy who had so lately represented the other greyhound. He was directly changed into a horse; Mother Dickenson mounted, and took Robinson before her. They then rode to a large house or barn called Hourstoun, into which Edmund Robinson entered with others. He there saw six or seven persons pulling at halters, from which, as they pulled them, meat ready dressed came flying in quantities, together with lumps of butter, porringers of milk, and whatever else might, in the boy's fancy, complete a rustic feast. He declared that while engaged in the charm they made such ugly faces and looked so fiendish that he was frightened.

Historical context

Contextual commentary · mention only

This is a historical account assembled under the reporting and publishing conventions of its period. It may preserve testimony, hearsay, retelling and editorial interpretation together.

Modern context

Contextual commentary · mention only

A modern comparison can identify recurring descriptions and possible explanations, but the account is not treated as independently verified evidence merely because it appeared in print.

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