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The curtains flew open, and the massive and awkward idol, who, we may suppose, resembled in form the giant…

Date of account
Published 1830
Source
Letters on Demonology and Witchcraft
Reference
Letters on Demonology and Witchcraft · selected passage 69
Rights
public_domain
Language
English
Record updated
2026-08-24

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Record summary

The curtains flew open, and the massive and awkward idol, who, we may suppose, resembled in form the giant created by Frankenstein, leapt lumbering from the carriage, and, rushing on the intrusive traveller, dealt him, with its wooden hands and arms, such tremendous blows, as were equally difficult to parry or to endur…

Published source text

Read the available text below. Archive transcriptions may contain OCR errors; later context is labelled separately. A recorded claim is not a finding that it happened.

Source passage

Source text · mention only

The curtains flew open, and the massive and awkward idol, who, we may suppose, resembled in form the giant created by Frankenstein, leapt lumbering from the carriage, and, rushing on the intrusive traveller, dealt him, with its wooden hands and arms, such tremendous blows, as were equally difficult to parry or to endure. But the champion was armed with a double-edged Danish axe, with which he bestirred himself with so much strength and activity, that at length he split the head of the image, and with a severe blow hewed off its left leg. The image of Freya then fell motionless to the ground, and the demon which had animated it fled yelling from the battered tenement. The champion was now victor; and, according to the law of arms, took possession of the female and the baggage. The priestess, the divinity of whose patroness had been by the event of the combat sorely lessened in her eyes, was now easily induced to become the associate and concubine of the conqueror.

Historical context

Contextual commentary · mention only

This is a historical account assembled under the reporting and publishing conventions of its period. It may preserve testimony, hearsay, retelling and editorial interpretation together.

Modern context

Contextual commentary · mention only

A modern comparison can identify recurring descriptions and possible explanations, but the account is not treated as independently verified evidence merely because it appeared in print.

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